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Lower-effort "motivational" threads asking how to get through an artistic slump may be removed because they've been answered quite a few times before.If your post is calling someone out for something, it's probably not appropriate here. This is a community for the technical aspects of production and for production discussion, not drama. This is not the place for posts about discovering people stealing songs from other artists or producers using ghost writers, etc.7 day ban on first offense, permanent ban thereafter. Linking to piracy-centric subs also prohibited. Advocating, asking for, or giving advice on how to pirate is prohibited.If you're not sure if your post will fit or not, message the moderators. Users posting links to tracks for views or feedback, soliciting/offering services, promoting fan pages, using follow-gates/download-gates, or otherwise benefiting financially from the sub will be banned for a day and informed to read the rules. Spam & self-promotion (outside of the Marketplace thread, where ads are encouraged) will be removed.Keep it productive, intelligent, intelligible, and constructive.If your thread is vague, unclear, or easily answered by searching ("does anyone else.?" "Any suggestions for.?") it may be removed. If your thread is only tangentially related, it is probably considered off-topic. Please submit only content and discussion that is specifically relevant to music production.Repeated or egregious offenses will be countered with a ban. If you disagree with something, make your case politely. No flame wars, disrespect, condescension based on level of experience, or tactless posts stereotyping any group of people will be tolerated. Posts and comments are expected to be civil, even when there are disagreements.Please report threads and comments that violate the following rules: Be respectful NIME proceedings, Dublin, Irlanda.This subreddit is for those wishing to discuss electronic dance music production. ĬHADABE Joel, The Limitations of Mapping as a Structural Descriptive in Electronic Instruments. REAS Casey, FRY Ben, Processing: a programming handbook for visual designers and artists, The MIT Press Cambridge, Massachusetts London, England, 2007. The reacTable: Exploring the Synergy between Live JORDÀ Sergi, GEIGER Günter, ALONSO Marcos, KALTENBRUNNER Martin. PATTEN James, RETCH Ben, ISHII Hiroshi, Audiopad, a tag based interface for musical performance. TRUAX Barry, Handbook for acoustic ecology Second Edition, Simon Fraser University, and ARC Publications. Random House Inc, 1st edition, June 1977, 301p. Solfege de L'Object Sonore Audio CD y Texto.
HUNT Andy, KIRK Ross, Mapping Strategies for Musical Performance, University of York, U.K., 2000. Applied Scientific Press, London, England STEREO, MULTICHANNEL AND BINAURAL SOUND SPATIALIZATIONįARNELL Andy. These are the main References used for this work. Use processing version 1.2.1 or 1.5.1, I haven´t ported to version 2.0 yet.Ģ- Run Processing with: _01_qsgVisuales.pde
Soundhack download software#
Use Reactivision or a TUIO compatible software to track fiducials and objects.
In order to run this code, you need 3 programs and some externals. In this way we want to control the whole system away from the rational analysis used daily in the creation and manipulation of sound. Perceptual classifications of sound and environment are being used to get an holistic management of the sound by the user, being complemented with adaptative mapping techniques commanded by the logic engine.
Soundhack download generator#
A realtime soundscape generator for tabletop surfaces.
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